top of page
Photo Credit: David Lai
"With his dark, hearty bass-baritone, Evan Lazdowski played up Nick Shadow's sinister side, savoring his graveyard game of cat and mouse before furiously cursing Tom to insanity..."
- OPERA NEWS
"... a steely panache, character in each cynical tone and hypocritical gesture, and a dark, determined bass-baritone that I am eager to hear again..."
- Parterre Box
"Evan Lazdowski, as the King of Scotland, was possibly the best heard in his voice type in quite a while. His tones are solid, true and of ample volume, and seem to project with the greatest of ease..."
- onStage Pittsburgh
"Bass-baritone Evan Lazdowski brought dignity to his role as king and father. His sonorous voice showed to its best advantage in the king's farewell to his daughter, 'Al sen ti stringo e parto...'"
- Seen and Heard International
"Lazdowski as Colline sang a very moving rendition of 'Vecchia zimarra' as he prepares to pawn his overcoat..."
- The Berkshire Edge
"There was nothing of the usual shaggy-haired, befuddled philosopher in Lazdowski's stylish and robust Colline. His rich bass bloomed in 'Vecchia zimarra...' sorrow in the softest of tones and most lyrical singing..."
- Seen and Heard International
"The physical and the musical combined to create some particularly fine portrayals, most notably in the Mimì of Whitney Morrison and Evan Lazdowski's Colline..."
- Seen and Heard International
"... sang with a true mastery of bel canto phrasing and fluidity, qualities sometimes missing in singers of his range. The creepy Sodbuster is a role that suits his cavernous, lustrous bass voice perfectly, and he sang with a booming resonance..."
- onStage Pittsburgh
"... a solemn Speaker..."
- OPERA NEWS
​​"... impressive..."
- Wall Street Journal
Evan Lazdowski, Bass-Bairtone My Site:
bottom of page